I've been seeing a trend. I'm not sure if I like it, or what my place COULD be in it.
Beloved stories like Bram Stoker's
Dracula, Frank L. Baum's
The Wizard of Oz, and Louisa May Alcott's
Little Women are becoming new again.
I've just started reading
The Historian by Elizabeth Kostova takes a new look at Dracula through her father's old correspondence and archeology. Fascinating concept.
Geraldine Brooks'
March takes Mr. March, the patriarchal figure of Little Women who has left his family behind to go to war, and weaves a story of his time away from Jo and Meg and beth and Amy.
Gregory Maguire's
Wicked, The Life and Times of the Wicked Witch of the West traces the origins of the nastiest witch in the Wizard of Oz, from her life as a lonely little girl to when she tried to kill Dorothy and Toto.
These are just three instances that give me hope. To think that authors, editors, agents, and publishing companies are taking a real and legitimate interest in what is basically fanfiction THRILLS me to no end. I'm not sure what to make of it, though.
I've always considered fanfiction to be a hobby. Something we do to keep beloved characters alive. I never once think of it as a productive means of breaking into the literary world. But there are three authors that have done it. Taken characters and stories we know and love and turned them into marketable works for public PAID consumption.
Fanfiction authors have stigmas to deal with, I think sometimes. We don't *create* most of the characters we write about, but in the process of telling new stories, we do create *new* characters, original characters that are rich and detailed and flawed and tragic and all the things that so-called real writers create their characters to be. So why the pejorative label on 'fanfiction'?
I can see the problems inherent with it, definitely. Having read some seriously bad, ill-concieved, poorly executed, and one dimensional stories my self. But what about the really good authors. I know so many, read them everyday, and then there are hundreds out there I've never heard of. What about the really talented among us? Those who craft their fanfiction and work on it, slave over it, plot it out and edit and rewrite and develop their stories? Those that create entire new worlds: AUs, post-apocalyptic universes, little slices of life that are so true to reality. Why is their work, so often rich with a kind of depth that is missing in trade fiction, marginalized simply because it's fanfiction? It makes no sense to me.
I've seen fic writers who get asked if they are published, and often they say they're working on "orignal stuff." Well. The examples above pretty much tell me that the market is open to some rehashing, re-exaimaning of older stuff. One of my favorite books of all time, John Gardner's
Grendel is the retelling of an ancient story. But it is seminal work as well. A real piece of modern existential examination. And at it's core, what it really is, is fanfiction. An alternate POV of Beowulf. So why can't these wonderful exciting fanfic authors break into the marketable fiction world with their stories? If the three people above could do it, why not me? Or you? Or one of the writers you read? It's mindboggling.
I'd like to hear other's thoughts on this. What do you think of the trend of 'fanfiction' as 'real fiction?'